Music licensing firm for films? If you have collaborated on a track with another writer, and you each own 50%, the music supervisor has to clear the publishing rights for both you and your co-writer, and whoever owns the master rights. It’s because of this that, today in sync, all the rights (both sides master & publishing) are commonly controlled by one entity. This could be an individual, a label or publisher, or a sync agent. This is referred to as one-stop ( the Supervisor only has to make one stop when clearing tracks. The more people that are involved with this process, the trickier it tends to be… Once you’ve ‘cleared’, your agent will send you the license or quote request, and you can sign off! Once the show airs you’ll be paid an advance fee, commonly known as a ‘sync fee’. It’s only after this that you can collect royalties as well through your Performing Rights Organisation (PRS for Music, and PPL in the UK. ASCAP, BMI and SESAC in the US )!
Now, the process of finding a PRO is a process within a process, and there are advantages and disadvantages to all of them, but whichever you choose is your partner in keeping up with royalties and licenses once your work starts getting picked up. If you’re not sure which PRO you want to go with, attend one of the meet and greets or seminars that they put on throughout the year. It’s a good way to get face time with decision-makers and ask any questions you might have.
What does the unlimited yearly subscription cover? This covers unlimited downloads for non-commercial purposes. Meaning you can utilize our music in personally-owned websites, social video channels, usage in web videos you are monetizing via ad revenue, and influencer posts on your personal channels and etc. Why can’t I use the unlimited yearly subscription for commercial purposes like other services? We believe in artist integrity and musicians being fairly compensated for their work. As a result, commercial projects that have major budgets are required to contact us directly to negotiate terms that are fair for all parties. Discover even more information on music licensing for film.
Rhythm Couture artists questions and answers: Rhythm Couture is home to many talented musicians, and Jen-Shuo Chen is the latest up and coming artist set to make big waves within the music licensing industry. We recently sat down with him to discuss his recent signing with Rhythm Couture, and got to know him on an up close and personal level. What is your name, and where are you from? Hello! My name is Jen-Shuo Chen, I’m from Taipei, Taiwan. I started as a bass player 7 years ago, I played metal, jazz, funk, indie and almost any kind of music. After playing in several bands and recording sessions, I decided to move to film scoring in 2015. Which combines 2 of my favorite things, music and movies! So I prepared for a year and got into UNC School of the Arts to study Film Music Composition and got my master degree. Those experiences from band to classical make me able to analyze and write in almost any genres, being able to do this is one of my goals as well, because you’ll never know what your client wants for their films. As a TV composer in Taiwan, being able to write in different styles definitely helps a lot. For my personal projects, I recently wrote a lot of orchestral classical and electronic hybrid minimalism, ambient music.
RhythmCouture Recording Studios: two locations based in New York and Vermont. We proffer expertise in music licensing and musical solutions across all multimedia platforms. Kyle Hunter and Robert Ronci, Co-Owners, have paired their formidable musical repertoires and talent affiliations from around the globe to bring a distinctive differentiation to the music product placement space. Our range of clients include Calvin Klein, Les Mills, The New York Times, Vans, Forever 21, Marie Claire + more. Find even more details on https://www.rhythmcouture.com/.