Category: Media

Top news writers in 2021 and writing recommendations? As for sports, Hulu’s lineup includes BTN, CBS Sports, ESPN, ESPN 2, ESPNEWS, Golf Channel, and Olympic Channel. That’s all in addition to local channels you get in your zip code, such as ABC, CBS, FOX, and NBC cable affiliates. Recently, Hulu announced that it would add NFL Network and NFL RedZone to its channel lineup by August 1. It is unclear whether either of these additions will increase Hulu’s subscription costs, however. FuboTV, Sling TV, and YouTube TV all include the NFL Network channel in at least one of their plans and offer NFL RedZone as part of an add-on package. While Hulu’s lineup features NBC-owned RSNs, it lacks most AT&T-owned RSNs (except for SportsNet NY) and every Sinclair-owned Bally Sports RSN (previously, these were FOX Sports RSNs). AT&T TV is the only live TV service we’ve reviewed that includes RSNs from AT&T, NBC, and Sinclair, though it is missing a few NBC Sports RSNs. Make sure to find out which RSN airs your local team’s games before committing to any sports streaming service.

The couple enjoyed a date night with a difference in May when they went to an ice hockey game together. Both the actress and country music star shared an image of themselves holding hands and watching the game dressed in matching yellow Nashville Predators t-shirts. Nicole and Keith recently returned to their home in America with their two daughters, Sunday and Faith, after several months in Australia. While they were there, Nicole filmed her upcoming project, Nine Perfect Strangers, which she stars in alongside many other major names such as Melissa McCarthy, Luke Evans and Regina Hall.

The modern gig economy is set up so that the customer rarely has to think very much about the person delivering a package to their door. Sorry We Missed You, the latest working class social drama from 83-year-old English filmmaker Ken Loach, is a harsh reminder that those piles of cardboard Amazon boxes have a human cost. The film follows married couple Ricky (Kris Hitchen) and Abbi (Debbie Honeywood) as they attempt to raise their two kids, keep their humble home in Newcastle, and and hold down jobs stripped of conventional protections. As Ricky’s domineering boss tells him at the beginning of the movie, he’s not an “employee.” No, he’s his own small business owner and independent contractor. Loach finds dark laughs and absurdity in the the convoluted language of precarity, particularly the way management attempts to sell poor working conditions as a form of empowerment, but he also captures the tender, intimate moments that occur in even the most soul-sucking jobs. Ricky and his daughter find joy in knocking on doors and leaving notes; Abbi, who works as a nurse, genuinely cares for her patients like her own family even if the company she works for refuses to pay for her transportation. Though the script leans too hard on melodrama in its final stretch, setting up scenes that don’t always deliver on their dramatic potential, Loach never loses his moral grasp on the material.

A descendant of Jan Svankmajer and the Brothers Quay, Cristóbal León and Joaquín Cociña’s The Wolf House is a mesmerizing stop-motion storybook fable about a young girl named Maria who flees her Chilean-situated German colony (based on the notorious real-life Colonia Dignidad, formed by ex-Nazis) and, to protect herself from a predatory wolf, takes refuge in a house in the woods. That domicile is in a constant state of transmutation, as is Maria and the two pigs she finds inside, which she transforms into her de facto children. Maternal love is both a blessing and a curse in this ever-metamorphosizing enclave, and León and Cociña’s stunning imagery—combining hand-drawn, painterly, clay- and paper-mache-based animation—is a swirling wonder. Marked by endlessly rotating, fluid hallucinations of birth and decay, it’s a symbolism-rich fantasia that marries the personal and the political in ways that veer from the sweet to the sinister. There’s gnarly, unnerving texture to everything in this unhinged film, which fragments and reforms like a nightmare born from the darkest recesses of the mind. Find more info at https://mytrendingstories.com/vanessa-puente. The competition between video streaming services has never been tougher, so some media companies are banding together. For instance, CBS and Viacom merged (again) and launched Paramount+. AT&T announced plans to merge WarnerMedia with Discovery to form a new streaming giant. Amazon is reportedly buying MGM for $9 billion, too, which should considerably boost Prime Video’s library. The increasingly competitive streaming market is not without consequences. Consumers who may have originally been attracted to the flexibility that streaming services offer over cable, now must navigate a crowded and constantly shifting nightmare of streaming rights and new services, many of which continue to rise in cost. Live TV streaming services are also struggling to adjust to the rising costs of broadcast rights from cable channel owners. The price of just about every one of these services has increased considerably over time.

Ben Affleck gets one of his greatest (and most personally resonant) roles as an alcoholic former high-school basketball star who gets a chance at redemption when he’s hired to coach his alma mater’s hopeless hoops team. This could easily become mired in clichés, but director Gavin O’Connor and writer Brad Ingelsby strike a fine balance between delivering the promised underdog sports drama and presenting a portrait of trauma and grief that resists easy solutions. At the center of it all is the star’s tense, restrained performance as an emotionally distant man whose considerable demons can’t really be vanquished with a few wins.

The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks.

With YouTube TV, you get unlimited cloud DVR storage. The service will keep your recordings for nine months and you can stream your content from anywhere in the US. One YouTube TV membership supports up to six accounts, so you can share with family or roommates, though note that you can only stream from three accounts simultaneously. YouTube TV’s apps look and work great across a variety of platform, including Fire TV devices and the PlayStation 4. However, YouTube and Roku are currently feuding, so Roku owners may soon lose access to YouTube TV. That’s a shame, as its capable search tools and solid streaming performance in our testing establish it as one of the best cable replacement services for general audiences. VRV expands beyond the niche of anime streaming by bundling other channels dedicated to cartoons, gaming, and geek culture. Currently, the service offers Boomerang, Cartoon Hangover, Crunchyroll, Hidive, Mondo, NickSplat, Rooster Teeth, and VRV Select original shows. You can subscribe to individual channels, but a full VRV subscription is a better value, since it gets you access to everything. Alternatively, if you don’t mind watching ads, VRV lets you watch most of its content for free in 1080p.

Best writers for 2021 and arts advices? Netflix’s base plan now costs more than Hulu, at $8.99 per month. Netflix doesn’t run traditional ads on any of its content, but you need to pay more (at least $13.99 per month for the Standard plan) if you want to stream HD content and stream on more devices simultaneously. Paramount+’s ad-free tier is $9.99 per month, while HBO Max comes in at a much pricier $14.99 per month. Amazon Prime Video is at $8.99 per month. Shudder, a horror-focused streaming service, matches the price of Hulu’s ad-supported plan, but doesn’t show ads. Apple TV+ is cheaper than all of them at $4.99 per month. As for cable-replacement services, Hulu + Live TV costs the same as YouTube TV ($64.99 per month). Philo ($20 per month) and Sling TV’s Orange & Blue plans ($35 per month each or $50 together) are significantly cheaper. FuboTV starts at a slightly more affordable $59.99 per month, while AT&T TV’s entry-level tier is $69.99 per month, respectively. None of these services offer on-demand content libraries as complete as Hulu’s. You don’t necessarily need to pay to get video streaming entertainment. Our roundup of the best free video streaming services offers both on-demand services and those with preprogrammed channels. Apart from streaming Hulu on the web, you can download apps for mobile platforms (Android and iOS), media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), smart TVs, and game consoles (PlayStation, Xbox One, and the Nintendo Switch). Hulu’s live TV tier is available on the PlayStation 4, but PlayStation 3 users are still out of luck when it comes to live TV. When you log in to Hulu for the first time, the service walks you through some personalization options in which you choose, channels, genres, and shows that appeal to you. Hulu uses this information to populate the My Stuff section of the web interface, a feature we discuss a bit later.

According to Kidman, Urban isn’t very high maintenance, but he’ll take a pedicure every once in a while from his wife. In fact, Kidman enjoys giving her whole family a spa day, including him. “He’s a pretty low-maintenance guy,” Kidman told InStyle. “Sometimes, though, I’ll treat my whole family to a spa day and massage their feet and give them pedicures.” Keith Urban and Nicole Kidman are one of the cutest celebrity couples, and with both of them working all over the world, it would be easy to miss out on time together. Due to this, they are strict about how much time they spend apart and try not to go more than one week without seeing each other. “Two weeks is still too long for us [to be apart],” Kidman told Vanity Fair. “We like one week. We start to hurt after seven days.”

For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not.

Dramas don’t come much bleaker than Beanpole, director Kantemir Balagov’s wrenching story about the damage caused by war, and the exceedingly high cost of survival. In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. Iya cares for Pashka (Timofey Glazkov), the young son of her frontlines friend Masha (Vasilisa Perelygina), and when Masha appears to reclaim her child – only to learn of an unthinkable tragedy – their relationship buckles under the weight of grief, guilt, regret, resentment and need. Cruel blackmail soon proves to be Masha’s means of coping with loss, but healing is in short supply in this ravaged milieu. Shot in alternately tremulous and composed handheld, director Balagov’s long takes place a premium on close-ups, the better to convey the dizzying anguish of his subjects, who are as decimated as their environment. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. See even more information at https://mytrendingstories.com/barry-zane. Stay up to date with the latest streaming hits with our recurring feature on what to watch this weekend. Does your home’s Wi-Fi coverage not extend to your backyard oasis? We also have story on how to download videos from every video streaming service for offline playback. Even though you may not be able to be in the same physical place as your friends and family due to COVID-19, you can still watch the same shows together. HBO supports Scener, a remote co-watching tool, and you can use the Netflix Party Chrome extension to sync that service’s video playback across devices. Hulu ad-free subscribers, Amazon Prime Video members, and Plex users also get co-watching features. Disney+ is the latest service to add co-watching capabilities.

Ben Affleck gets one of his greatest (and most personally resonant) roles as an alcoholic former high-school basketball star who gets a chance at redemption when he’s hired to coach his alma mater’s hopeless hoops team. This could easily become mired in clichés, but director Gavin O’Connor and writer Brad Ingelsby strike a fine balance between delivering the promised underdog sports drama and presenting a portrait of trauma and grief that resists easy solutions. At the center of it all is the star’s tense, restrained performance as an emotionally distant man whose considerable demons can’t really be vanquished with a few wins.

The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks.

Hulu supports an impressive range of gadgets and you stream on up two devices simultaneously. Note, however, that you can now stream Live TV on the PlayStation 4 with Hulu (though not on PlayStation 3). Hulu’s support for 4K content is limited; only some of its originals can be streamed at that resolution and only on the Apple TV (5th gen or later) and Chromecast Ultra. Hulu’s latest redesign brings the service into the modern age. Interfaces are now consistent across platforms and feature elegant navigation menus and a media-first aesthetic. None of the apps we tried suffered from performance issues. Recently, Hulu added the ability for premium subscribers to download content for offline viewing. Although it launched on iOS, this feature is now also rolling out to Android users. Eligible subscribers can download up to 25 titles across five devices; downloads are available for up to 30 days or two days after you begin playback. Not all Hulu shows support this feature, but Hulu’s originals are among those that do.

Top TV movies platform offers right now? Hulu offers many cable TV shows. For fans of animation, there’s Archer, Adventure Time, Bob’s Burgers, and Futurama. Drama shows include Bones, Killing Eve, The Orville, and The X-Files. Comedy fans can watch 30 Rock, Broad City, Brooklyn Nine-Nine, Letterkenny, Malcolm in the Middle, Scrubs, and Seinfeld. Note that Parks and Recreation has left for NBC’s Peacock and Seinfeld is going to Netflix in 2021. The good news is that Hulu’s FX hub is live. FX shows such as A Teacher and The Old Man, Devs, and Mrs. America exclusively stream on Hulu. Full seasons of past FX shows, including Archer, Atlanta, Better Things, It’s Always Sunny in Philadelphia, Justified, and Snowfall live there, too. You can stay on top of what’s available with PCMag’s monthly guide to what’s arriving on Hulu. Like Netflix and Amazon, Hulu also creates original content. While its offerings have typically been a mixed bag and many shows don’t get renewed, its track record is trending upward. Some of Hulu’s best original releases include Castle Rock, Harlots, Helstrom, High Fidelity, Little Fires Everywhere, Marvel’s Runaways, The Handmaid’s Tale, and Veronica Mars. Ramy and The Act both won Golden Globe awards. Hulu is also one of our picks for the best video streaming services for celebrating Black art.

According to Kidman, Urban isn’t very high maintenance, but he’ll take a pedicure every once in a while from his wife. In fact, Kidman enjoys giving her whole family a spa day, including him. “He’s a pretty low-maintenance guy,” Kidman told InStyle. “Sometimes, though, I’ll treat my whole family to a spa day and massage their feet and give them pedicures.” Keith Urban and Nicole Kidman are one of the cutest celebrity couples, and with both of them working all over the world, it would be easy to miss out on time together. Due to this, they are strict about how much time they spend apart and try not to go more than one week without seeing each other. “Two weeks is still too long for us [to be apart],” Kidman told Vanity Fair. “We like one week. We start to hurt after seven days.”

Arriving on streaming in the middle of a pandemic, a time when many lives have fallen into unceasing loops of quarantine-related repetition and tedium, the Lonely Island produced comedy Palm Springs perhaps resonated differently than when it premiered at Sundance earlier this year. Jokes about doing the same shit over and over just hit harder now. Tracking a romance between a goofball wedding guest (Andy Samberg) and the bride’s self-destructive sister (Cristin Milioti), writer Andy Siara’s clever script combines Groundhog Day existentialism with a quippy take on quantum physics, doling out inspirational life lessons and math cram sessions at a clipped pace. In the same way Tom Cruise had to battle aliens in Edge of Tomorrow, the two must relive a wedding over and over, struggling to escape from an Instagram-ready, celebratory hell. It might not be as purely funny as Samberg’s other big screen adventures Hot Rod and Popstar, but Palm Springs finds its own winning spin on a surprisingly robust micro-genre.

The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Using Robert Kolker’s book as her source, director Liz Garbus recounts Mari Gilbert’s (Amy Ryan) efforts to find her oldest daughter Shannan, a prostitute, after she vanished following a house call in a gated Long Island community. At every turn, what Mari discovers is a lack of urgency about, if not outright indifference to, her daughter’s disappearance, even after other bodies are found in the very same area. Ryan’s powerhouse performance as the fiercely determined Mari is the nucleus of this dispiritingly bleak tale, in which there are few concrete answers to be found, but plenty of blame to pass around. That Garbus doesn’t let Mari off the hook for her own mistakes, while nonetheless casting a reproachful gaze at the individual and systemic failings that allow such crimes to occur – and go unsolved – only strengthens her cinematic case for compassion and togetherness as the bulwark against tragedy. Discover extra info on https://mytrendingstories.com/alex-malkin-hdpxol. If you want to cut the cord, here’s our rundown of what you can expect from the most popular services. You shouldn’t fall into the trap of paying more for video streaming services than you did for cable, so make sure to only sign up for those that offer the content you actually want to watch. If we missed your favorite option, make sure to let us know in the comments. If you have a library card or a current university email address, you can access Kanopy for free. This streaming service offers a huge collection of high-quality films and documentaries from distribution giants such as A24, Bleecker Street, HBO Documentary Films, Paramount, PBS, and Samuel Goldwyn Films. Kanopy also has a dedicated section for kids ages two and older. The one main drawback to Kanopy is that it limits the number of titles you can watch each month. This restriction, does not, however, apply to the content in the Kanopy Kids section.

Haley Bennett is absurdly good as a Hudson Valley housewife who’s sleepwalking through a controlling marriage until a psychological disorder forces her into awareness. Carlo Mirabella-Davis’s psychological drama is an exploration of domestic oppression and unexamined expectations of motherhood — but it’s also its own kind of body-horror story, as its heroine finds herself indulging in the urge to swallow things that were never intended for human consumption. These increasingly disturbing spectacles are enfolded in a movie that’s otherwise mesmerizingly beautiful, like a dream that gives way to a nightmare before dumping you, abruptly, back into the land of the living.

The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself.

Hulu impresses as one of the best all-in-one options for cord cutters, given its diverse set of streaming options. In addition to a strong library of classic shows, and a good selection of movies, Hulu offers a robust live TV option (more than 70 channels of news, sports, and entertainment programming). Still, Hulu trails some top competitors, given its lackluster original content and limited selection of 4K content. After adding 14 Viacom channels to its lineup, including BET, Comedy Central, MTV, Nickelodeon, Paramount Network, Hulu recently announced that NFL Network and NFL RedZone will be available on the platform before the next NFL season begins. It is unclear, however, these NFL-centric channels will increase the subscription cost.

Best movie streaming services recommendations 2021? Hulu + Live TV’s channel lineup should please most general audiences, with a deep lineup of content across the news, entertainment, and sports categories. News channels include ABC News, CBS News, CNBC, CNN, CNN International, FOX Business, FOX News, and MSNBC. Entertainment coverage is similarly varied with options such as Animal Planet, Cartoon Network, Discovery, Disney, Food Network, FX, HGTV, National Geographic, SYFY, TBS, Travel Channel, TLC, and TNT. You also get the movie channels, FXM and TCM. In addition to live feeds of these channels, you can watch on-demand content from each of these networks. For fans of channels from Discovery Inc. (such as Animal Planet, Food Network, and HGTV), discovery+ is a much cheaper, albeit on-demand, streaming service. Hulu’s has added live Viacom channels, such as Comedy Central, MTV, and Nickelodeon, to its lineup, too. If you are specifically interested in those channels, the much-less-expensive Philo includes them in its lineup.

The couple enjoyed a date night with a difference in May when they went to an ice hockey game together. Both the actress and country music star shared an image of themselves holding hands and watching the game dressed in matching yellow Nashville Predators t-shirts. Nicole and Keith recently returned to their home in America with their two daughters, Sunday and Faith, after several months in Australia. While they were there, Nicole filmed her upcoming project, Nine Perfect Strangers, which she stars in alongside many other major names such as Melissa McCarthy, Luke Evans and Regina Hall.

In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.

Romanian director Corneliu Porumboiu once again melds his interests in language and genre filmmaking with The Whistlers, a neo-noir about a police officer named Cristi (Vlad Ivanov) who travels to the Canary Island of La Gomera to learn an ancient whistling language that doesn’t sound anything like a human form of communication. This subterfuge is demanded by Cristi’s gangster bosses, with whom he’s both in league with and tasked with nabbing by his law enforcement chief Magda (Rodica Lazar). Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. Read more details at https://mytrendingstories.com/karen-creamer. Stay up to date with the latest streaming hits with our recurring feature on what to watch this weekend. Does your home’s Wi-Fi coverage not extend to your backyard oasis? We also have story on how to download videos from every video streaming service for offline playback. Even though you may not be able to be in the same physical place as your friends and family due to COVID-19, you can still watch the same shows together. HBO supports Scener, a remote co-watching tool, and you can use the Netflix Party Chrome extension to sync that service’s video playback across devices. Hulu ad-free subscribers, Amazon Prime Video members, and Plex users also get co-watching features. Disney+ is the latest service to add co-watching capabilities.

Liz Garbus’s grim Netflix drama is based on Robert Kolker’s powerfully empathetic book about the victims of a still-at-large Long Island serial killer believed to have butchered between 10 and 16 female sex workers — whose bodies lay for years on a stretch of Gilgo Beach. Garbus focuses on the conflict between a working-class mother (Amy Ryan) whose oldest daughter has disappeared and the Suffolk County Police — led by a grave, empty suit (Gabriel Byrne) — who don’t exactly put themselves out for missing “hookers.” The film lacks the scope of Kolker’s book, but in tracing a link between murderous misogyny and patriarchal indifference it leaves you bereft (Why aren’t they acting like committed TV cops?) and then outraged. It’s an anti-police procedural.

Autobiographical tales of trauma don’t come much more wrenching than Rewind, director Sasha Neulinger’s non-fiction investigation into his painful childhood. A bright and playful kid, Neulinger soon morphed into a person his parents didn’t recognize – a change, they soon learned, that was brought about by the constant sexual abuse he (and his younger sister Bekah) was suffering at the hands of his cousin and two uncles, one of whom was a famed New York City temple cantor. Its formal structure intrinsically wedded to its shocking story, Neulinger’s film reveals its monstrous particulars in a gradual bits-and-pieces manner that echoes his own childhood process of articulating his experiences to others. Not just a portrait of Neulinger’s internalized misery, it’s also a case study of how sexual misconduct is a crime passed on from generation to generation, a fact borne out by further revelations about his father’s upbringing alongside his assaultive brothers. Most of all, though, it’s a saga about perseverance and bravery, two qualities that Neulinger – then, and now – exhibits in spades.

Hulu supports an impressive range of gadgets and you stream on up two devices simultaneously. Note, however, that you can now stream Live TV on the PlayStation 4 with Hulu (though not on PlayStation 3). Hulu’s support for 4K content is limited; only some of its originals can be streamed at that resolution and only on the Apple TV (5th gen or later) and Chromecast Ultra. Hulu’s latest redesign brings the service into the modern age. Interfaces are now consistent across platforms and feature elegant navigation menus and a media-first aesthetic. None of the apps we tried suffered from performance issues. Recently, Hulu added the ability for premium subscribers to download content for offline viewing. Although it launched on iOS, this feature is now also rolling out to Android users. Eligible subscribers can download up to 25 titles across five devices; downloads are available for up to 30 days or two days after you begin playback. Not all Hulu shows support this feature, but Hulu’s originals are among those that do.