Who is Jonathan Brightman and some of his songs? Downloading and the internet are both a blessing and a curse for musicians. What is your take on the industry as it stands today? Where do you see it heading? Jonathan Brightman: I think the musician will have to catch up with all this technology. In other words, a band may have to use more of their own words, images, actions and give more of themselves up to be noticed. These days anyone can edit a video and put up content. We’re going to have to learn how to be as creative on several formats now. After all this time, do you still keep up to date, with what Buckcherry are doing? Jonathan Brightman: Actually, I heard one of their new songs on satellite radio recently. I think they released a few records after my departure. But the song was really good. Everything was in key.
Jonathan Brightman and Buckcherry: Josh Todd grew up in the Anaheim Hills neighborhood of Anaheim, California and later moved to Lake Forest, California. Early on, Todd fronted the Hollywood glam rock band Slamhound. He eventually met lead guitarist Keith Nelson through their tattoo artist (Kevin Quinn). The duo made a few demos before being joined by bassist Jonathan Brightman and drummer Devon Glenn, calling themselves Sparrow. Sparrow began performing around the Hollywood club scene, receiving a strong, local following due to their old school rock and roll vibe, and were signed to DreamWorks Records shortly after. The group changed its name to Buckcherry after receiving a cease-and-desist letter from a record label called Sparrow (owned by EMI). Although the band’s name is a spoonerism of the late Chuck Berry, the group said it was inspired by a drag queen acquaintance of theirs named Buck Cherry.
Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). In December 2010 the band’s self-titled debut album was picked by Apple iTunes as one of the top 15 rock releases for the year alongside notable artists including Tom Petty, Slash, Elvis Costello and Deftones. Additionally, Classic Rock Magazine ranked their song “Baddass” as the #5 Song of the Year and chose it as the opening track of their Best of 2010 CD.
You sound like all of my favourite bands mashed up; there’s AC/DC, Zeppelin, Black Crowes and The Stones. How would you describe your sound? Jonathan Brightman: I like to just call it Modern Classic Rock. Imagine intercepting rock and roll right where it was before things got awful in the music business and continuing from that point. Right before Nirvana perhaps. All though I love Nirvana it spawned some real shit. And I am still baffled about how Limp Bizkit sold millions of records. Hahahaha.
Over the past years Brightman Music has been a leading Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Find extra details on Jonathan Brightman.
How long after the demise of Buckcherry did you begin working on new music? Jonathan “JB” Brightman: The way this happened…right after I left Buckcherry Huck (Johns, singer) was moving to Los Angeles. I had made friends with him and we just started writing. So we had written some songs, but there was no agenda to create a band. What Huck and I really intended to do was to have Yogi (former Buckcherry guitarist) and Devon (former Buckcherry drummer) in the band, but that didn’t really work out. I needed some time away from what would become Black Robot. When it came time, I called Yogi and Devon and said to them, “Let’s just go in the studio for two weeks and let’s make a record.” I didn’t have any expectations. I wanted to get in the studio, record, have a good time and if a great record came out of it then we’d release it. It was no pressure.