Songs review : Michael Jackson and kids books: Hours after TMZ announced Michael Jackson‘s death, something “magical” happened. Everyone decided it was safe to be a fan of the King of Pop again. In a matter of minutes, maybe less, the whole world (more specifically, America) forgot about the corny punch lines they once shared to friends at the water cooler or the countless parodies they had come to enjoy, all of which developed this unfortunate post-2000 personification of an artist that, more or less, had become a modern myth. Up until that point, the name Michael Jackson didn’t necessarily spark memories of, say, Thriller, Bad, or the often forgotten 90’s masterpiece, Dangerous. Instead, trashy tabloids and shitty gags in Scary Movie, South Park, etc. took precedence. It’s a crap deal for someone who’s arguably the most inimitable force in music history, but that’s how things were prior to June 25, 2009. Still, death’s a curious thing.
With “Black or White,” Jackson lashed out at his public perception. In the interim since 1987’s Bad, he’d grappled with both outlandish rumors (buying the Elephant Man’s bones, sleeping in a hyperbaric chamber) and some that drew blood (allegations of bleaching his skin). The innocent popcorn-eating Michael of Thriller was gone, but calling him “Wacko Jacko” was slander. He wanted us to know he was a man, an eccentric sure, but an adult with deeply rooted beliefs. Released only five months before the LA Riots, the Rodney King beating and murder of Latasha Harlins almost certainly factored into Jackson’s increasingly political slant. “Black or White” articulated a utopian vision of a post-racial future while acknowledging the sins of contemporary bigotry. He demands equality, shouting that he “ain’t second to none.” He growls, “I ain’t scared of no sheets” (presumably Klansmen). Its hook offers his dream of a color-blind society, echoing Martin Luther King.
When Michael Jackson was alive, I received anonymous phone calls that my son Joshua would be kidnapped. Therefore I had to bring him to his father in 2003. Unfortunately, when I felt the situation had calmed down sufficiently, my ex-husband did not want my son to return to me. This led to a lengthy court case, where my ex abused his knowledge of Michael Jackson being my father by describing me as delusional. This lead to a mental examination, which showed my sanity was fine, but also revealed that I was seriously traumatized. The court ruled that Joshua should return to me. However, due to many delays and postponements the whole case dragged on for some 4 years! After that, a new judge decided that Joshua had already stayed so long with his father that he would stay there. The hell that my ex Charat Graafland put my child and me through because of the situation between me and Michael Jackson has made me lost a lots of time with my son Joshua. Find more information on http://mpjjacksonrevelation.com/.
Still, it seems there is no respect or understanding that he could have been a part of my life, because he is the illusionist Michael Jackson and the King of Pop. What do people know about that? Is there proof he was not? It is easy to talk bad about a person you do not know. Because, after all, it is about Michael Jackson.
Got to Be There (1972): Chances are most of y’all haven’t even HEARD this album. Correct that oversight immediately. Now, Michael’s solo debut certainly doesn’t have the glitz you’d expect from a guy known for his bedazzled socks but give him a break – his first attempt to break away from his Jackson 5 roots sees him coming into his own sound. And man, his angelic voice instantly turns heads. Michael’s reliance on covers hurts this set just a bit but he handles them all so expertly that it’s hard to consider them a detriment. Listen to this set and you’ll immediately realize why this kid was destined to be a legend. Forgotten Favorites: “Rockin’ Robin,” “Ain’t No Sunshine,” “Girl Don’t Take Your Love From Me”.