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Watch top tv shows free online? Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.

We wish we could have been a fly on the wall when Ken Loach — Britain’s foremost cinematic chronicler of working-class angst and quotidian humanism — first learned about the gig economy. The concept fits right in with the veteran director’s moral vision of a world in which ordinary humans regularly think they can outsmart a system designed to destroy them. In this infuriating, heartbreaking drama, a middle-aged former builder starts driving a truck making e-commerce deliveries and discovers that his dream of being his own boss is the cruelest of illusions. Meanwhile, his wife, a home health-aide worker, struggles with her own corner of a so-called growth industry. What makes this one of Loach’s best isn’t just its rage (which is plentiful) but its compassion (which is overwhelming). It offers a touching cross section of humanity, in which everybody is caught inside a giant machine that discards the weak, feeds on the strong, and perpetuates itself.

Disciplined in its approach and unapologetic about its contrivances, Ben Affleck’s basketball coach in crisis drama The Way Back is a sports movie that understands the fundamentals. What it lacks in flashiness or ingenuity — the underdog narrative of a crappy team hitting its stride under the leadership of a gruff coach hits all the requisite Hoosiers notes — it makes up for with an oddly enthralling downbeat craftsmanship. Little details, like the freeze-frame when the scores of games pop up on screen or the click-clack percussion-heavy music, accumulate emotional power over the film’s brisk runtime. Playing a washed-up ex-athlete with an immediately apparent drinking problem and a number of strategically hidden personal demons, Affleck delivers a weary performance that resonates with his off-screen persona (and his recent tabloid headlines) in ways both obvious and surprising. In brief stretches, director Gavin O’Connor, who helmed the similarly intense melodramas Miracle and Warrior, pulls off the ultimate sports movie trick of making you believe the character’s redemption isn’t inevitable. Every win is a battle — even if you know the results going in. Discover even more information on watch tv shows online free.

“Handsome, clever and rich” is how Emma’s tagline describes its matchmaking heroine (Anya Taylor-Joy), but it’s also an apt summation of director Autumn de Wilde’s Jane Austen adaptation, which is energized by meticulous style, spirited wit and passionate emotions. Hewing closely to its source material, the film charts Emma Woodhouse’s efforts to find a suitor for her doting companion Harriet Smith (Mia Goth) while struggling with her own blossoming feelings for her sister’s brother-in-law, George Knightley (Johnny Flynn). Round and round the romantic entanglements go, not only for these three characters but a host of others that de Wilde and screenwriter Eleanor Catton faithfully delineate in clean, bright brushstrokes. Its studied imagery suggesting a daintier variation on Wes Anderson’s trademark visuals, Emma boasts an aesthetic confidence that’s matched by its performers. At the head of that impressive pack (which also includes Bill Nighy) is Taylor-Joy, whose Emma exudes just the right amount of playful cockiness and ambition – qualities ultimately undercut by her realization that no amount of manipulations can change what the heart wants.

5KPlayer, the final entry on the list of recommended Windows media players, is a top-rated video player for Windows 10 as it’s extremely compatible. It claims to play almost all kinds of videos and music without any plug-ins, and it actually delivers. Its interface is very clean and simple. It’s also known for its more streaming options. 5KPlayer also lets you import videos and music from websites like YouTube, Facebook, Vimeo, MTV, etc. It goes without saying that it’s compatible with common formats like MP4, MOV, M4V, MP3, AAC, etc.

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Watch movies free online? Romanian director Corneliu Porumboiu loves to play with procedure and form; he’s an ideal director for playful tales about bureaucrats, cops, and other officials in a country still wrestling with the decades-long fallout from a communist dictatorship. His movies are cosmic comedies shot through with moments of ironic tragedy, and this crime comedy-drama might be his weirdest one yet. It starts off as a bizarro tale about a policeman who has to learn a “whistling” language used by the inhabitants of one of the Canary Islands in order to help free a gangster from prison, then twists into a moving meditation on love, loyalty, and self-improvement. Best experienced without knowing anything beforehand; I’ve already said too much!

In the fictional northeast Brazilian town of Bacurau, residents are puzzled to discover that their home has disappeared from all GPS maps, and their cell service has ceased. Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? Or is it a tool of other sinister forces preparing to strike? Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Stylistically indebted to both the Westerns of Sergio Leone and the thrillers of John Carpenter, and yet imbued with an out-there spirit all its own, Filho and Dornelles’ film takes a gonzo scalpel to geopolitical dynamics.

In what hasn’t exactly been a great year for action movies so far, Bad Boys for Life has to be the biggest surprise. Given its lengthy production history, its January release date, and the departure of series director Michael Bay — the action auteur gets a winking cameo here, perhaps taking a break from shooting Netflix’s 6 Underground — this movie could’ve been a disaster. Instead, Smith and Lawrence easily slip back into the roles that made them action movie icons in the ’90s and the writers find a way to update the garish, over-the-top aesthetic of the series for the franchise era. In a wise decision, directors Adil El Arbi and Bilall Fallah don’t even bother trying to top the excess and mayhem of Bay’s Bad Boys II.Bad Boys For Life is a gentler, sillier movie than its predecessor, less interested in moments of vulgarity than in scenes of sitcom-like human connection and familial melodrama. There are explosions and car chases through the streets of Miami and jokes about getting too old for this shit, but the material is given a light touch that lets the two stars do what they do best. Read extra information on watch tv series online.

Competing with other video players like VLC, PotPlayer has managed to earn a good reputation in recent times. This multimedia software for Windows platform has been developed by South Korean internet company named Kakao. PotPlayer has tons of features and specialties that can easily give VLC a run for its money. This recommended media player comes with a wide range of customization options that allow you to make this software fit for your needs. Using the techniques like CUDA, QuickSync, and DXVA, PotPlayer is able to deliver maximum performance and lightweight experience. That’s why PotPlayer is the second best media player on the list. Compared to VLC, PotPlayer might be less popular but it supports even more file types. It goes without saying that it’s a great player for MP4/FLV/AVI/MKV files, which are very common. You have the option to make a choice between sound cards, bookmark your favorite scenes and preview them, etc. You also get filters for brightness, contrast, hue, noise reduction, etc. It also comes with lots of built-in keyboard shortcuts and hotkeys. But, what makes VLC more popular than PotPlayer? Well, for most of the users, the long list of features and settings might be just too much. Also, PotPlayer is limited to Windows. Overall, PotPlayer is one of best media players around if you want to ditch VLC Media Player.

Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Writer/director Josh Trank’s film is a subjective affair told largely from Capone’s POV, so that nothing can be trusted and yet everything speaks, symbolically, to the man’s deep-seated ambitions, fears and misgivings. It’s a headfirst dive into delusion, told with free-flowing suspense and absurd comedy, all of which comes to the fore during a late scene in which Capone opens fire on his friends and family with a giant golden tommy gun while wearing a diaper and chomping on a cigar-like carrot. Part Cowardly Lion, part Bugs Bunny, and altogether ferocious even as his sanity frays, Hardy’s Capone is yet another triumph for the star, who ultimately captures his protagonist less through imposing physicality than via his dark, glassy, lost eyes.

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A creative professional with more than twelve years in the Film/Media industries, Nick works in screenwriting, content development and producing. A graduate of The University of Birmingham’s prestigious Playwrighting MPhil under David Edgar, he transitioned from journalism, via satire to theatre where his play, Prints of Denmark was nominated for Amnesty International’s Freedom of Expression Award. He has lived and worked internationally in Europe, Africa and Asia, beginning his TV career in Bollywood. His latest feature film Suruli, a Bollywood/Hollywood crime thriller is now shooting in London. (Budget $10M) His first Hollywood feature film as producer was with Warner Bros, The Man Who Knew Infinity (2016) distributed in more than 30 countries. He was a screenwriter on feature thriller The List (2013) (Screenplay, Additional Material) and worked as Scripted Development Consultant for Kahani World, India on animated series Coderman and Raju The Auto Rickshaw.(Amazon Prime).

Our position at the heart of the industry in Los Angeles allows us to facilitate deal making, pitching and selling material to the world’s biggest studios and networks, using our Agency, Management, Guild and legal support to package, attach cast, secure talent and represent projects in negotiation with streaming platforms. We bring these elements to the Global Harbor family of companies. See extra info on Movie studio US.

The goal of Europe Film Studios is to become the top end-to-end production service in Europe. We incorporate a technology and research-driven approach in which our partners and interested investors are presented opportunities to become part of successful, strategic productions. By following stringent processes with every initiative, we present financial opportunities in entertainment without the usual perceived risks of single picture investment in which returns are only driven by box office. End to end production offers the opportunity for profit at each phase and the minimization of second and third party cuts into profits.

The Global Harbor Corporation introduces a strategic initiative in which independent filmmakers and production companies are provided the financial investment needed to transform screenplays, present exceptional talent, and ensure that production and distribution from the US to European markets receive the expertise and resources needed to advance in film and television. Find even more info at https://www.globalharborcorp.com/.

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Download songs from Youtube to Mp3 with mp3ytb? aTube Catcher is another amazing versatile toolkit which lets you download audio from YouTube in a format of your choice: MP3, FLAC, OGG, WMA or WAV. There are three preset resolutions for MP3 format, so you can choose the right balance of file size and fidelity. In matter of output settings, it is possible to change the default saving location, set the number of active downloads, enable turbo mode, as well as to power off the computer on task completion. But unfortunately, there is a bundled adware to avoid. So be watchful during the installation and uncheck any additional bits and pieces you don’t want. aTube Catcher provides its diversified features at the disposal of both beginners and experts, and the option to save YouTube audio is only one part of what it can do. However, aTube Catcher is definitely among the best available free YouTube to MP3 converters.

The basic version of YouTube Music is free, but YouTube Music Premium is a paid option that strips out the ads, can play music in the background while you use your device, and lets you download music and playlists for offline listening within the app. After a one-month free trial, YouTube Music is $9.99 a month on Android or $12.99 a month on iOS. Yes, Apple charges 30 percent extra for the subscription, but you can avoid the added cost by signing up on the web for $9.99 and accessing your premium account on your iPhone or iPad.

YouTube to MP3 converters let you rip the audio from any YouTube video and save it as an MP3 audio file that you can listen to offline later, on your PC, phone, tablet or any other device. With a YouTube to MP3 converter, you can save the audio from YouTube videos as an audio file that you can play later offline on any device. Discover additional information on youtube to mp3.

Unlike major companies like Chromecast or Plex, Kodi is managed by the non-profit XBMC Foundation, and it’s constantly being modified and upgraded by countless scores of coders and developers around the world. Since being created in 2003, Kodi has been shaped by more than 500 software developers and more than 200 translators. That means you can now customise Kodi by installing addons or builds, and they’re totally free.

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