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GlobalTalentNetwork.com guides for talent firms : A glossy brochure shows clients that your agency is professional. Feature your top models on the brochure to showcase the the diversity your agency can provide. For example, you might have a high fashion photo, a picture of your models at a runway show and a group of models in a fun pose or two. Each of your models should have a composite photo card that you can quickly send to an interested client. The model should also have a portfolio available in case the client would like to see more in-depth work out of a particular model before hiring.
Make sure you have a great headshot, which looks like you and tells a story. The very best headshots reveal something specific about YOUR personality. Make your cover letter, short, specific and upbeat. Talk about the work you’ve already done, any referrals you may have, where you train and specific goals. Marisa Paonessa of Paonessa Talent suggests “Show ambition in your cover letter. Ambition in the industry to an agent is sexy! And remember….it’s a process…a journey, one that is different for every actor. Breathe, relax and enjoy your own path! Read additional info https://globaltalentnetwork.com/.
Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.
Aside from looking online, a good way to get yourself out there is by reaching out directly via email or snail mail to local agencies, casting directors, artistic directors, and managers who are hiring for the types of roles you want to play or working with the kind of actor you want to be. Who knows—maybe you have just the right look for the role they’re currently casting and you’ll be called in! Attending acting classes is also helpful, not only to improve your performance once in the audition room, but to keep you connected with other actors who know the ins and outs of upcoming auditions.
While agents book you for work, a manager’s job is to provide career guidance and business management. Talent managers can be anyone a client trusts to manage their business. In many cases, talent managers are family members or friends. Talent managers work with clients to managing the day-to-day aspects of their career, including scheduling, fielding calls, making sure you meet deadlines, and fulfilling promised deliverables. Talent managers help hire and manage any staff for a client.
Know your character’s objective: Go underneath the dialogue. What do they want from the other characters? What is the character’s purpose in the scene and story? Understand your character’s obstacle: What’s in the way of the character getting what they want? Acting is what happens to you as you try to get your objective met, in spite of the obstacle. Play opposites: Yelling isn’t the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious.
To get a casting director’s attention in the audition room, be professional, come prepared, and deliver your best performance—and then don’t take it personally if they still aren’t entirely focused. Yes, it can be disheartening to put a lot of work into a piece that isn’t being received with rapt, undivided attention. But no, the casting director does not have a vendetta against you. “Remember, these people are under a lot of pressure,” says Secret Agent Man. “They have to get the job done while fielding calls from their producers, the director, the studio, the network, and guys like me who are trying to get their clients in the room. So if the casting director is eating lunch during your audition, it means he’s hungry. It doesn’t mean he doesn’t like you. That’s why it’s a mistake to read into every little moment that occurs before, during, and after your audition. That road leads to madness. And nine out of 10 times, you’ll be totally wrong.”
Always make sure that you have the correct spelling of an agent and the agency along with the correct mailing address. To improve your chances of getting an agent as soon as possible. Mail your package to every union-franchised agency. Then, after waiting for ten days, start contacting each agency asking for a meeting. If an agent wants to meet you in person, then you are one step closer to reaching your dreams. To prepare for the interview make sure that you know how to get to the talent agents’ office. Nothing looks worse than showing up late to a meeting. Make sure you dress professionally but, don’t go too crazy because you do not want your talent agent to typecast you for specific roles. The talent agent will most likely have a copy of your package but, be sure to bring copies just in case.